Shooting on Monsoon 35mm Film

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This week I shot a roll of Monsoon 35mm film. The aim of this film is to create saturated blue tones replicating the feel of post-monsoon rain…

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Overall i’m not sure how I feel about this 35mm film, I really like the blue tones but the images look really soft which is not normally the effect I go for. But I think it’s only fair to try it out in a different environment so next week I’m going to head to the seven sisters to photograph landscapes.

Shooting £1 Film at Night

Earlier this week a fairground rolled into town. I already had a roll of Agfa film (£1!) in my Olympus so I set out to see what I could document. As the ISO of the film (hows sensitive it is too light) is just 200 I used the flash to give the film a chance to capture what was going on.

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The fairground was fairly small so afterwards we headed out to explore Brighton after dark..

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Snapshots of a Robot Camera

For me, having fun with photography is what it’s all about, and this robot camera provides it in bucket loads.

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It’s super light, fits in your pocket and has 3 lenses. The viewfinder is non-existent as is the ability to frame a shot. But this camera is more about capturing moments with the hope that one of the 3 images is usable.

I got given this camera as a birthday present a couple of years ago. As I’m often working on commercial or personal projects this camera isn’t a viable option. But after so long collecting dust on my camera shelf surrounded by my beloved Olympus MJU II and Pentax 1000 I decided to take it with me everywhere I went for a week…

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Why You Need to Shoot Black and White

Shooting black and white has many advantages. Stripping away colour makes you concentrate on utilising the available light and how you want to frame your subject.

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And if you’re in a creative rut, although it feels counter intuitive, it can really help to place restrictions on your photography.  It makes you pre-empt the final outcome and what affect black and white will have on your image.

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It also provides a great opportunity to look over the work of some photography greats such as Elliot Erwitt, Cartier-Bresson and Vivian Maier who only had black and white to work with.  You should also check out the work of William Eggleston who was a pioneer and one of the first to make the switch from black and white to colour photography.

I shot all these images on my Olympus MJU II with Ilford 35mm film.

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Portraits: How to Utilise your Location!

To take a great portrait you don’t need the latest high-tech equipment or a studio- although this can help. All you need is a camera, a model and the time to experiment.

I took all these shots within 1km of my flat using my Pentax K1000 35mm camera (around £100/$139).

Light

When shooting outdoors always look for where the sun is in the sky- light is a vital factor in creating a striking portrait. Golden hour  is a great time to shoot photography outside but if the light is strong it creates lots of interesting options..

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With great light comes shadows, always be on the look out for unusual shadows to add some depth to the portrait

BUT if you live in England or somewhere similar, the chances are if you’re waiting for sun you’ll never take a single photo. So if the light is dull look for an interesting composition or location to detract from the lack of light.

 

Background

Think about your background wether it adds to the image or detracts the focus. Graffiti can be a great way to add some colour to your image. If you just want the subject to be in focus make sure they’re standing at least one step away from the background to allow some depth in your image.

 

 

Framing your subject

Use what have around you; trees, building, graffiti etc. For example, in the image below by looking up at the building it not only frames the image it makes the subject more imposing. Flowers are also a great way to add colour and fill the frame.

 

Have fun and experiment

Photography is all about enjoyment and learning from the mishaps. When shooting portraits on film I would always recommend shooting different angles of the same shot.

 

Thankfully I took two shots in this location, despite the frame counter telling me different, the first image just happened to be the first of the roll.

Snapshots of Eastern Europe

After performing so well when I was living in Bangladesh I chose to take my Olympus MJUII 35mm camera on my Eastern European Adventure. I loaded it up with Agfa 35mm colour film and took it everywhere with me..

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If you missed any of my posts from the 4 cities me and Emily visited you can check them out here:

72 hours in Budapest

36 hours in Bratislava 

48 hours in Krakow

72 hours in Prague 

Bangladesh In 35mm + A Magazine Feature!

Having lived in Bangladesh for four months one of the things I was most excited about when I returned home was to get all my films developed (and seeing my family..).  I am very happy to finally share the images with you which have been featured on Huck Magazine. Hit the Link to see the article!

 

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Back in the UK & Photographing Brighton Pier

When I was first told about reverse culture shock I naively thought I would be immune because I ‘ve traveled so much before.   But here I am back in the UK missing using a squat toilet and eating rice 3 times a day. Maybe it’s because for the first time I was based in the same place for an extensive amount of time and became completely immersed in the culture and felt fully at home.

Too try and break out of my culture shock I headed to my hometown of Brighton with my Olympus MJU and a roll of Agfa 35mm film. As a camera it can  be temperamental as it has no manual features whatsoever but for a day of wandering and photographing it was perfect.

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